Friday, September 30, 2011
Thursday, September 29, 2011
Tying Flies
Shawn Davis, Chemistry Teacher by Day and Fly Tyer by Night
More images and copy at The Anthropologist.
Wednesday, September 28, 2011
Details in Dress
edging on the cuff
the watch isn't bad either
the watch isn't bad either
buttons down the back are always a hit
it is always fun to have a great lining in your coat
Top and bottom images from Guerreisms second, third image from Vineet Kaur, fourth from Have Less Be More.
Tuesday, September 27, 2011
Monday, September 26, 2011
John Derian's Homes
apartment in the city
2nd home
shop items
great floor
Styling by Jocelyne Beaudion represented by Art Department.
Sunday, September 25, 2011
Reflections from the Saints
"Be humble in this life, that God may raise you up in the next. Be truly moderate and do not punish or condemn anyone immoderately. Be gentle so that you may never oppose justice. Be honorable so that you may never voluntarily bring disgrace upon anyone. Be chaste so that you may avoid all the foulness of lust like the pangs of death."
– St. Stephen of Hungary
Saturday, September 24, 2011
Friday, September 23, 2011
Sitting at the Counter Breakfast
There is nothing like sitting at the counter and watching the cooks work. It has made us dizzy before. There is an art to getting it all done at the right time.
Photos by Robert Weil.
Thursday, September 22, 2011
Wednesday, September 21, 2011
Beate Gutschow
About Beate Gutschow: She was born in Mainz, Germany in 1970. Gutschow went to the School of Fine Arts in Oslo, Germany, as well as, the School of Fine Arts in Hamburg, Germany. She is widely know and has show her work across Europe and the United States. She took part in an Artist Residency at ArtSway and has shown her work at the Contemporary Museum of Photography in Chicago.
About Beate Gutschow's work: Gutschow's works is really about challenging the ideas of truth and fiction. In this series, LS Gutschow has constructed images of landscapes. In the images of "natural landscapes" she has collaged images to create the perfect landscape based of the rules of painting landscape from the 17th and 18th century masters. The construction and composition of these images give us clues to the "created" reality that Gutschow is presenting to us. The nature landscapes are cast after painting from the 17th and 18th century while the building landscapes are fabricated and have no clues to an actual location. Also the building landscapes were shot with black and white film and the grain becomes an evidence to the changes in the imagery. Gutschow expresses that she wants the viewer to question it, to ask questions about what it is, what it can mean or be.
“Landscape (nature) never looked like this. In my work ideal means not to exclude the
ugliness, it means to construct reality.”- I like this quote from Gutschow because she speaks of creating Reality... instead of creating fiction or a false view.
This is the image that first attracted me to the works of Beate Gutschow.
Copy from Ashley Selbe with images from Google.
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